Adelaide Festival. State Theatre Company SA. Odeon Theatre. 28 Feb 2018
It’s not #metoo but #methree who find their way into the inner sanctum of the football club.
State Theatre tackles the issue of the day in a stark and brutal style. It is staged on a shimmering layer of water with extraordinary water-feature backdrops like a vast wet dream. But it’s a wet nightmare and it imprints on the mind, indelibly one suspects.
As a play, this Patricia Cornelius work comes at a slow, ominous pace. Three women each have turns on centre stage to deliver extensive soliloquies about who they are and where they lie in the socio-sexual world order. One is the sad team slag, one the would-be vamp and the other the innocent romantic.
The footballers are revealed, three of them, mean-spirited, privileged pack creatures. And thus do the interactions evolve between the three sorts of female and the three team players. It ain’t a pretty picture.
It has been going on and on for decades, the tales of sexed-up sports stars behind closed doors and the vapid girls whose adulation makes them easy marks. Cornelius pulls no punches. Yet, the action is set sparsely on the gleaming expanse of water. Black and white predominate. There is only restrained violence. There is no graphic sex. But, the impact is intense.
As for the aesthetic: this is one of those cases where the set is the star. Geoff Cobham and Chris Petridis have created a marvel of water engineering and playing light. Sometimes a stark photo realism effect brings images to super crispness. Sometimes, the theatre explodes in a wall of lightning storm. Sometimes it just showers torrents of soft spray. Sometimes there are just rippling lights in blackness.
One cannot call this an enjoyable night at the theatre. It feels long and it is unashamedly depressing. And yet, with Geordie Brookman directing and the cast of Rachel Burke, Miranda Daughtry, Anna Steen, Rashidi Edward, Dale March and Nathan O’Keefe, it most definitely rewards as spectacular high art.
Samela Harris
When: 28 Feb to 18 Mar
Where: The Odeon Theatre
Bookings: bass.net.au
Gordon Southern. Holden Street Theatres. 28 Feb 2018
Learn Chinese. Now. Learn Chinese.
Thus spake Gordon Southern to his audience of young and old, his first audience at Holden Street which happened to include a goodly class of students.
He acknowledged several times that some of the history references he was about to make in his comic monologue were before they were born as if it was not expected that the young should have to know about such old things. This was the nearest Southern came to making a mistake in his show. Except, perhaps, for not explaining what exactly the Millennial Bug was and why.
In every other way, this is a performer who makes an hour skate past in a trice. He is a performer who leaves one wanting more. Heaven help him. He’s given a lot. He’s given the heart and soul of his own life and the fastest and most furious history lesson under the Southern sun.
The high-energy chronology begins at 1989 with the symbolism and optimism of the downing of the Berlin Wall and contrastingly in the same year, the Tiananmen Square Massacre otherwise known as the "Tiananmen Square incident.”
“Learn Chinese, young people,” quoth Southern.
He races on through the end of Apartheid, the invention of the WWW, Waco, the Brixton Riots… Darting about the stage, occasionally pausing at the lectern to look at his notes or having a gulp of water, he machine guns facts and commentaries, throws editorial asides and meaningful glances.
Somehow, he gives his often terrible narratives in an almost cartoonish quality. Trump cops servings from several directions, ever the fascination with his little hands.
Oh, he has a very good Trump “fake” line which must be heard from the comic’s mouth. Not from a review. Among the flying facts is the beginning of Fox News in 1994. Fox gets a good going-over.
Why he lumps Hillary Clinton in with Harvey Weinstein and Bill Cosby is a bit mystifying.
But oh, what a bad day was November 8, 2016. Yes, 2016 was a very bad year.
Brexit and Trump and much more.
If he could go back and change anything, it would be to make sure his friends voted.
To top of the brilliance of the show, the man delivers a 30-second history of US wars a la Gilbert & Sullivan.
Yep. The facts are dark. But, dammit, the show is fun.
Samela Harris
4.5 stars
When: 28 Feb to 18 Mar
Where: Holden Street Theatres
Bookings: adelaidefringe.com.au
Vogue Music. Bebe’s Room. 23 Feb 2018
While Beyond The Sea – A Tribute to Bobby Darin & the Crooners is very entertaining it is clear that more rehearsals would’ve been helpful.
Melbourne’s Paul Hogan – no, not that Paul Hogan – performs some of the best-known crooner classics to a packed house at Bebe’s Room. There are no musicians behind him, though. Instead, Hogan has some quality backing tracks and makes amusing references to his “band” throughout the show – it wanes over the evening.
The first half of the show is good. Hogan has a Robbie Williams-like voice which is pleasant to the ear. Unfortunately, it makes the show seem more like a Robbie Williams impersonation than a tribute to Bobby Darin.
After interval, Hogan returns to the stage to sing more upbeat numbers including the popular Sway as well as Darin’s classic Splish Splash. The show faces an awkward moment when Hogan turns his attention to one of Darin’s lesser-known ‘country’ numbers; within moments it becomes clear Hogan has forgotten the words and in an attempt to move on he quickly returns to the upbeat songs.
The unfazed audience seem to enjoy themselves nonetheless; perhaps due to the flowing beer and wine on many of the tables. There is much singing along and groovers take to the dance floor at every opportunity to bust a move.
Hogan finishes the night with the Frank Sinatra classic New York, New York. He is joined by a large kick-line of audience members which makes for an entertaining end to an otherwise average show.
Beyond The Sea has the potential to be fantastic, but despite the audience's apparent enjoyment, it misses the mark.
Alex Bond
2 stars
When: 23 Feb
Where: Bebe’s Room
Bookings: Closed
Palmerston Projects Pty Ltd. Star Theatres - Star Theatre 2. 25 Feb 2018
Many argue that the battle of the Australians against the Japanese in 1942 on the Kokoda Trail changed the course of the war, but it's certain our victory there helped to protect northern Australia from even greater destruction subsequent to the earlier air attack on Darwin. Detecting the lack of appreciation for its importance, former Prime Minister Keating promulgated the campaign as the central focus of war remembrance. Kokoda in the Fringe is a reprise of last July's world premiere. Playwright Peter Maddern and actor Todd Gray have also teamed up on a number of theatre projects in the past, and from my viewing of this show, it's a winning combination.
Our Private Morris Powell, played with aplomb by Gray, is first seen loafing around Melbourne while other men are getting shipped out to war. He and his mates join the 39th Battalion, and with little training, take the brunt of the initial Japanese invasion, and are right in there for the counter-attacks as the battle shifts up and down the track. Maddern paints a comprehensive picture encompassing the privations of our private, the squabblings of the commanders and the exhilaration of the fighting. Gray successfully transforms Powell from larrikin to a battle-hardened and weary digger through the action. Yet I ponder if the emotional quotient of the show could have been lifted by reducing the contextualising historical narrative and focusing entirely on Powell's on-the-ground visceral experience.
Gray's ockerism was superb and endearing, and fresh from the '40s. We have such reverence for our military heroes that it's impossible not to get over-excited about it, and in Gray's case, this was manifested by occasional over-rapid and indistinct delivery and overuse of a high, sometimes shrill register. Indeed, after the show when he spoke to the audience, I was surprised how resonant, deep and pleasant his voice actually was. There was a lot packed into Maddern's script and Gray energetically attempted to convey it all. However, while great at explaining things, his battle scenes were as wooden as his Bren (direction by Peter Maddern).
Josh Williams contributed an experience-enhancing soundscape of bullets and bombs. The short film excerpts from the campaign were very helpful. Ken Kurtz's costuming was spot on.
Pitiful that this lad compared his deadly duty to the Grand Final for Australia; such a boy. It breaks your heart.
David Grybowski
3.5 stars
When: 23 Feb to 4 Mar
Where: Star Theatres - Star Theatres Two
Bookings: adelaidefringe.com.au
Kurt Murray. The Jade. 25 Feb 2018
The always-entertaining Bubble Show duo is back this year with a fresh new production: Milkshake and the Bubble Flower. Winter is here and Milkshake's bubble flower is in
peril, slowing losing its petals and in desperate need of more bubbles to help it survive the cold. Milkshake must find Dr Bubble and convince him to help before it's too late!
Dr Bubble (Kurt Murray) and Milkshake (Iulia Benze) are a much-loved fringe highlight for pre- and primary school aged children. Each year their set is brand new and always entertaining.
They raise the bar this year with a pantomime-themed story that has a gorgeous soundtrack and loads of slapstick comedy. The show alternates nicely between bubble action and story line with a mix that keeps the young audience engaged and happy. The dramatic soundtrack creates a sense of anticipation and atmosphere.
Murray and Benz are seasoned children's performers and know how to keep the energy alive. Benz has fantastic characterisation and is very lovable on stage. Murray is a true bubble master, conjuring giant-sized air balloons, bubbles within bubbles (within bubbles), towers of foam, and smoke-filled spheres that "poof" before your eyes.
The tricks are bigger and better this year with more complexity and, of course, amazement. This does result in a slightly lower success rate, but nobody is complaining. The audience are engrossed and love the drama and theatrics of it all.
Highly recommend for all youngsters and the young-at-heart. For the more mature bubble lovers among us, this duo also present a late night, adults-only version. Leave the kids at home for that one!
Nicole Russo
4 Stars
When: 25 Feb to 18 Mar
Where: The Jade
Bookings: adelaidefringe.com.au