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News
& Opinion
ACCI Announces Expanded 2025 Nominations
Interview: Here Comes Everything, by Derek Pascoe and Chris Martin
Opera Without Borders: Interview With Dane Lam, Artistic Director
Opinion: Historic Malinauskas’ speech of hope in troubling times
Story: Carols by Candlelight 2024
Interview: Esmond Choi and the music of Charles Ives
Opinion: The Critical Condition of South Australia’s Arts Record
Interview: Rob Younger for Radio Birdman
Theatre
Reviews
Gatz
The Perfect Life
The Mirror
Selene
Little Miss Julie
Works and Days
The Last Audition
Mary Said What She Said
Tracy Crisp: Who Killed Gough Whitlam?
Adore Händel's Cautionary Tales
POV
Virgins & Cowboys
The Pink List
Perle Noir: Meditations for Josephine
Mama Does Derby
Music
Reviews
Ed Sheeran
The Tiger Lillies
Monteverdi’s Vespers
Shadow and Light
Bach: Good Night World
Einaudi’s Piano by Candlelight
Debussy’s Romantic Piano by Candlelight - ‘Clair de Lune’
Moko Kodo and The Persuits: I’m Not Going to Marry You
Trainload of Sky
Ben Folds & A Piano Tour
Nine Breaths, Sean Williams: CD Review
Songs Of Joy
Symphony Series 8: Seasons
Piotr Anderszewski
Teddy Swims
Visual
Arts Reviews
Yield Strength: 2026 Adelaide Biennial of Australian Art
ngaratya
Good Trouble
Matthew Fortrose: CHASSIS
Bantay-Salakay, Mark Valenzuela
PROSOPON
Fractal Paradigm, Thom Buchanan
Green Wash, Cynthia Schwertsik
North Terrace: worlds in relief
Crosscurrents
