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News
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Interview: Here Comes Everything, by Derek Pascoe and Chris Martin
Opera Without Borders: Interview With Dane Lam, Artistic Director
Opinion: Historic Malinauskas’ speech of hope in troubling times
Story: Carols by Candlelight 2024
Interview: Esmond Choi and the music of Charles Ives
Opinion: The Critical Condition of South Australia’s Arts Record
Interview: Rob Younger for Radio Birdman
Interview: The Tea Party
Theatre
Reviews
Searching Blue
The Magic Flute
The Shock of The New in Adelaide
Mary Poppins
Who’s Afraid of Virginia Woolf?
The Watsons
Come From Away
And Then There Were None
Dear Son
Shakespeare in Hollywood
Mary’s 18th – a play about a party
Kimberly Akimbo - a musical
Illuminate Adelaide: Night Visions
Class of Cabaret 2025
A Stretch of the Imagination
Music
Reviews
Teddy Swims
Symphony Series 7: Fate
Sacred & Profane 2: Remember
How Does (the) New Emerge?
Symphony Series 6: Shadows
Coma @ Nexus
Kamand, Maryam Rahmani Album Launch
Symphony Series 5: Rhapsody
Unsound Pt 1
CD Review: As the Universe Expands
Northern Lights
Matinee Series: Blaze
Jimmy Barnes: Defiant Tour
Brahms: The Symphonies – Concert 4
Brahms: The Symphonies – Concert 3
Visual
Arts Reviews
Matthew Fortrose: CHASSIS
Bantay-Salakay, Mark Valenzuela
PROSOPON
Fractal Paradigm, Thom Buchanan
Green Wash, Cynthia Schwertsik
North Terrace: worlds in relief
Crosscurrents
Hoa Huy; Jazmine Deng
Shared Skin
AFF & Samstag Moving Image Commission
