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News
& Opinion
ACCI Announces Expanded 2025 Nominations
Interview: Here Comes Everything, by Derek Pascoe and Chris Martin
Opera Without Borders: Interview With Dane Lam, Artistic Director
Opinion: Historic Malinauskas’ speech of hope in troubling times
Story: Carols by Candlelight 2024
Interview: Esmond Choi and the music of Charles Ives
Opinion: The Critical Condition of South Australia’s Arts Record
Interview: Rob Younger for Radio Birdman
Theatre
Reviews
Machinal
ART
Dial M for Murder
La Cenerentola
The Housewarming
A Rock in the Limbus
RBG: Of Many, One
Australia Day
An Evening With Dame Granny Smith
Cluedo - The Hilarious Whodunnit Play
Serviced
Eden
Trophy Boys
Orpheus
A Concise Compendium of Wonder: The Tree of Light
Music
Reviews
Symphony Series Concert 3: The Ring
The Adventurous Project: Graphic Scores of Austin Engelhardt – Book 1, concert 2
The Adventurous Project: Graphic Scores Of Austin Engelhardt - Book 1
CD Review: Parasymbiosis, Gabriella Smart
Nordic Lights
Cathedral Series Concert 1 – Water Music
Sergej Krylov With Konstantin Shamray
El Niño: Nativity Reconsidered
Ed Sheeran
The Tiger Lillies
Monteverdi’s Vespers
Shadow and Light
Bach: Good Night World
Einaudi’s Piano by Candlelight
Debussy’s Romantic Piano by Candlelight - ‘Clair de Lune’
Visual
Arts Reviews
The Experimental Art Anarchive, Sasha Grbich
On-Site at No.9 Karaoke
The Felling Place
NEEDLEWORK: Live Skin Interface
Yield Strength: 2026 Adelaide Biennial of Australian Art
ngaratya
Good Trouble
Matthew Fortrose: CHASSIS
Bantay-Salakay, Mark Valenzuela
PROSOPON
