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More
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News
& Opinion
ACCI Announces Expanded 2025 Nominations
Interview: Here Comes Everything, by Derek Pascoe and Chris Martin
Opera Without Borders: Interview With Dane Lam, Artistic Director
Opinion: Historic Malinauskas’ speech of hope in troubling times
Story: Carols by Candlelight 2024
Interview: Esmond Choi and the music of Charles Ives
Opinion: The Critical Condition of South Australia’s Arts Record
Interview: Rob Younger for Radio Birdman
Theatre
Reviews
The Thunderbolt
Carmen
Enemy of The People (After Ibsen)
The Sunshine Boys
All The Things I Couldn’t Say // All Grown Up (but not really)
Commentary
Bang On The Nerve // Have Sex With Me, Please
Into the Woods
Goddess Era // I Know The End
The Little Mermaid Jr
Me and My Shadow
The Sound Inside
Grease
Pomona
Hadestown
Music
Reviews
Sibelius: The Symphonies – Concert 1
Matinee Series Concert 4: Jubilation
The Fairy’s Kiss
Lost Art of Listening
Symphony Series Concert 5: Swansong
Doric String Quartet and Lloyd Van’t Hoff
She Speaks: Concert 2
Interwoven
Symphony Series Concert 3: The Ring
The Adventurous Project: Graphic Scores of Austin Engelhardt – Book 1, concert 2
The Adventurous Project: Graphic Scores Of Austin Engelhardt - Book 1
CD Review: Parasymbiosis, Gabriella Smart
Nordic Lights
Cathedral Series Concert 1 – Water Music
Sergej Krylov With Konstantin Shamray
Visual
Arts Reviews
Visual Arts Review - Leaves: Eco-Anxiety
Visual Arts Review: The Long View
The Experimental Art Anarchive, Sasha Grbich
On-Site at No.9 Karaoke
The Felling Place
NEEDLEWORK: Live Skin Interface
Yield Strength: 2026 Adelaide Biennial of Australian Art
ngaratya
Good Trouble
Matthew Fortrose: CHASSIS
