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More
of this Writer
News
& Opinion
ACCI Announces Expanded 2025 Nominations
Interview: Here Comes Everything, by Derek Pascoe and Chris Martin
Opera Without Borders: Interview With Dane Lam, Artistic Director
Opinion: Historic Malinauskas’ speech of hope in troubling times
Story: Carols by Candlelight 2024
Interview: Esmond Choi and the music of Charles Ives
Opinion: The Critical Condition of South Australia’s Arts Record
Interview: Rob Younger for Radio Birdman
Theatre
Reviews
Harvey
The Glass Menagerie
The Offering (A Plastic Ocean Oratorio)
The Special Comedy Comedy Special: Greatest Debate
The Merry Widow
Opera for the Dead
Embarking on a Drift into The Unknown
Milestone
I do, I do, I do!
American Song
Searching Blue
The Magic Flute
The Shock of The New in Adelaide
Mary Poppins
Who’s Afraid of Virginia Woolf?
Music
Reviews
Symphony Series 8: Seasons
Piotr Anderszewski
Teddy Swims
Symphony Series 7: Fate
Sacred & Profane 2: Remember
How Does (the) New Emerge?
Symphony Series 6: Shadows
Coma @ Nexus
Kamand, Maryam Rahmani Album Launch
Symphony Series 5: Rhapsody
Unsound Pt 1
CD Review: As the Universe Expands
Northern Lights
Matinee Series: Blaze
Jimmy Barnes: Defiant Tour
Visual
Arts Reviews
ngaratya
Good Trouble
Matthew Fortrose: CHASSIS
Bantay-Salakay, Mark Valenzuela
PROSOPON
Fractal Paradigm, Thom Buchanan
Green Wash, Cynthia Schwertsik
North Terrace: worlds in relief
Crosscurrents
Hoa Huy; Jazmine Deng